Movement Techniques In Casablanca Film Studies Essay

Movement Techniques In Casablanca Film Studies EssayCasablanca, the moving foresee which was presented in 1943, was written by Murray Burnett and Joan Alison and was directed by Michael Curtiz. Its an American romantic drama black and white movie by Hollywood. As for the awards that Casablanca won it won three academy awards. It was and has always been up till instanter mavin of the most smooth films ever and had a complete accomplishment.Mainly the film is about a man who is cut out amidst his love and his good quality manner feature. The dilemma was that he had to pick one of the ii hard choices. Its either he choose to be with the love of his c areer and help her out or to help her husband to get away from the Moroccan city (Casablanca) to contract on with his fight against the Nazis. Rick Blaine (Humphrey Bogart) owns a nightclub in Casablanca, the city, c anyed Ricks Caf Amricain. While the World warfare II was on, this cafe was like a home for all refugees who are tryi ng to escape to America, they were obtaining irregular letters for that getaway. Shockingly, one day Rick came across the well-known revolt Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), which was the woman he utilize to love before she go forth him behind when the Nazis attacked Paris. Ilsa begin again to love Rick and wants to watch with him in Casablanca, but she also wants Victor to escape to America. So she make Rick decide, and by that was the humbug of the film.The Movement TechniqueMovement in filmmaking is a very heavy yet hard technique to achieve. Therefore, its not about what happens in a horizon rather its about how to show what is happening in the word picture. There are many different ways to apply bowel movement techniques in a film. An excellent director bequeath want to show how indicative and significant are the movements in a prominent movie for instance. And how can he/she fetch the scene effective by using the flop stratum of movements to display and demonstrate the idea (Giannetti, 2010).Any film that doesnt use movement techniques is subjected to be static. Nevertheless, movement doesnt specify drama. There are many action movies that consists movements without having drama thread. Moreover, it isa matter of the least possible elbow room having the greatest effect so that when violent movement is at last triggered off, it has the desired effect. (Foss, 1992). camera MovementsCamera movements have two major types movements that fol misfortunate a moving subject and the ones that are not sight by movements on the plane of actions. The first kind is main(prenominal)ly about chase the dramatic action. On the contrary, the second kind has a significant function where a connection is made between the items and the events. all(prenominal) film has a different number of camera movements that relies upon the time between the cuts in the movie. The shorter the time between the cuts, the fewer camera movem ents are needed and vice versa. Tracking is a form of camera movements, which has an exceedingly enormous control to generate feel and atmosphere. Zooming and tracking in are slightly different than one other. Tracking pulls the watcher into the picture in a manner that feels nearly physical and raise the maven of presence and realism. Zooming simply brings out the detail and raises the sense that the director is playing for effects. Another approach of facelift the feeling of realism in a movie is to use hand-held camera. It is frequently utilise to do documentary films and it gives the watcher the illusion of looking at the reality (Foss, 1992).Camera movement is one of the main techniques any filmmaker should study and know really well in order to be commensurate to pull in a successful movie. People tend to remember what happens in a general scene more, so using different kinds of camera movement techniques in doing a film correctly will probably help more in making a bet ter movie. In any movie, the director usually moves the camera during all the scenes for many different reasons. Camera movements could most likely lowlys accentuate on whats happening in the scene or might be to catch people vigilance for the coming up scene. The director can use a lot of methods such as gigantic quips, slow-paced action, or high angles to stress a movement. Camera movements could be smooth, choppy, lyrical, or disorienting. Besides, the movements in a scene possibly will be naturalistic, stylized, literal, or symbolizationic (Giannetti, 2010).Camera AngleComposition can be influenced by the angle of the savour. Cameras can be placed over or underneath the scene, to either produce high-angle-shot or a low-angle-shot. Usually, the shot that is looking down weakens the character (the tendency). On the contrary, the shot that is likely to be appearing upwards emphasizes the authority or control of the subject or character. The framing of a shot could be direc ted by the degree to which the framing is level with the horizon. Both the high angle and low angle shots are resulting from the context of the film, and not from the dictionary of camera aesthetics (Gross Ward, 2007).Cinematic TechniquesThe fundamentals of cinematic techniques are pan, tilt, and dolly. First, Pan is the horizontal movement of a camera, it looks through an absolutely broad landscape which doesnt suffer a regular camera border. Second, Tilt is the vertical movement of a camera, by pivoting up and down. Those two techniques are referred to as re-framing the shot and are usually utilise to track the characters in the movement of action. Finally, skirt is the way the camera usually moves normally horizontally throughout the space. Another camera technique is pull focus which is basically a normal technique that applies looking at items that are in several(a) ranges. Focal length of a camera is mainly the zoom of the cameras lenses. Zoom, an unnatural technique whic h is probably used to make effects, is the move of a marchwork from a wide shot to a close up without moving the camera. There are two types of zooming slow zoom and fast zoom. The shift from one picture to another in filmmaking is called transition. For example cut is the easiest method of transitions, which are regularly used to have jolting jumps in the moment and on space. There are three main types of transitions. First dissolve layer, which is used to have soft transition, is having the new picture over the old one by raising the shadow of the old one until the transition is done. Second fades, which is a type of explosive transition, usually starts and ends the scenes by modify the colored screen or the picture gradually to a color. Finally effects transitions are the twist of transmitting an witness into another one. Some general framing expressions that could be relevant to either characters or objects are master shot, full shot, medium shot, medium close up, close up , and an extreme close up (Vineyard).Applying the Movement technique in the movie (Casablanca)At the start of the movie, there was a scene that starts right after the sound of the two German messengers who were killed as they were carrying letters to transportation the MacGuffin of Casablanca. We can see how the guard arrested some suspicious characters who were on the street. One of those people where a man who had written document which were not in order, so he tried to escape from the law of nature, but was shot and killed right away. The police officer aeroembolism down to the man to look at those papers that were compressed in his hands, then passes them to the other police officer and also closer to the camera so that people can see, the papers showed that the man was a free France propaganda. We can notice how the camera had a close-up to the police officers hand when he was holding the papers. The papers were also on a slope of the camera, where the police cannot see the m as well as we (watchers) do. That scene indicates how important it is to keep in mind the relation between the characters in the movie and the film viewers, who are watching the movie, who are the most important ones in this case.Another scene in Casablanca demonstrates Ricks Caf Amricain, the shot at first shows the caf as a whole and then the shot transfers to be only towards people who are in the caf talking about escaping to America. Next, the image goes to a woman who was asking about Rick. subsequently that, a man goes up to Rick asking him to sign an empty check, then the camera takes a closer shot at Rick while he is signing the check and then another closer shot at Rick himself. This shot emphasizes that Rick is the main character and the owner of the caf.In one of the scenes of Casablanca, right after the flash from the past of Paris, Ilsa (Ingrid Bergman) where talking with Rick when she first moved to Casablanca. The following shot of the movie had a right to left cam era movement from the image of Ricks face to the image of his hands, when they were tipping above the glass. The next shot was also a camera movement but here it was from the left side to the right side, where the camera was following the small walk till the right border of the frame of Sam (Dooley Wilsons). Hence, in the middle of that shot there was an open space between Sam and Rick. The draw of this scene had a doorstep that was framed by the vaulted roof which is a double aperture framing. afterward that, the director prepares the watcher with a visual staging when Ilsa enters the room. Immediately before she enters, the shot was on the object that was centered in front of Rick which was the bottle he removes the bottle to pour a soak up for himself thus making a clear view of the entrance. In this scene, the aim of the director of the movie was to transfer peoples attention to the entrance of the other character. Then, with having a musical background sound, Rick and Sam l ooks at the door while the shot was gloomy right away before Ilsa enters. After she has entered, the lighting stresses how she is enclosed with the door.How this (movement technique) was almost connected to another techniqueAlthough, Casablanca is a striking example of the movement technique used in the film, cinematography technique had also a huge great part of the movie. The central concentration and all the focus of attention was directed to Ilsa (Ingrid Bergman). Most of the shots were taken from her left side with a catch lights, so that her eyes can look like they are shining and mainly the entire propose was to make her face looks gloomy, gentle, and unforgettable. As for the rest of the characters and the setting, bars of shade and darkness were indicating isolation. Moreover, the crucifix, which is the cross with Jesus body, is a symbol of emotional confusion and of the free French forces which were the French soldiers during the WWII who agreed to carry on the fight and neer give up. In nearly all of the scenes, mostly at the last part there was a dim film noir which stresses the sexual desire and cynical behavior. All of those kinds of lighting equipments and shadow shades that were used in the film were classic ones. Also, the way of applying the background surroundings as a frame of the scenes made the film seems more professional (Kemp).ConclusionIn conclusion, movement techniques usually try to emphasize an important point of the movie to the audience in an indirect way. Moreover, some close-ups and pauses in a film mean that the film director is trying to highlight some major and valuable concepts of the movie. Successful filmmakers use movement techniques correctly and effectively in a film.Word Count 1956